2011–15
Blue.Hour explores the high contrast colors created in the landscape during “l’heure bleue,” the period of twilight each evening when there is neither full daylight nor complete darkness. Directly following the ‘Golden Hour,’ know for its diffused yet powerful light, the Blue Hour retains the diffusion but lacks the strong light source giving this period of the day an especially melancholic and meditative atmosphere.
Blue.Hour.002 is the second in a series of prints based from the video element of a large multichannel sound and immersive projection installation of the same name. The original video was formed from photographs collected in Joshua Tree National Park in June 2010.
Blue.Hour is a high definition abridged version of a large multichannel audiovisual installation and is based from photographs and sound recordings collected in Joshua Tree National Park in June 2010.
Blue.Hour is presented here in a church with 2 channels of sound and paired with a large scale video projection. The piece is formed from photographs and sounds collected in Joshua Tree National Park in June 2010.
Blue.Hour is presented here in a darkened room with 4 channels of sound paired with a large scale video projection. The piece is formed from photographs and sounds collected in Joshua Tree National Park in June 2010.
Blue.Hour.001 is the first in a series of prints based from the video element of a large multichannel sound and immersive projection installation of the same name. The original video was formed from photographs collected in Joshua Tree National Park in June 2010.
Blue.Hour (for screen) is an abridged version of a large multichannel sound and immersive projection installation of the same name and is based from photographs and sound recordings collected in Joshua Tree National Park in June 2010.
Blue.Hour is presented here in stereo with some compositional elements added to make it more suitable for home listening.